The Korean film The Assassin(s), directed by Heo Jin Ho, has officially passed its break-even point at the box office, marking an important financial milestone just one month after its theatrical release.
According to data released by the Korean Film Council on October 23, The Assassin(s) recorded 3,306,283 cumulative moviegoers as of October 22, surpassing its reported break-even target of 3.3 million admissions.
The achievement confirms that the film has reached the audience level estimated to cover its production and distribution costs, despite the controversy surrounding its historical subject.
Released in South Korea on September 23, The Assassin(s) reached the milestone approximately one month after opening in theaters.
The film explores questions surrounding the August 15, 1974 assassination of South Korea's first lady, combining historical events with fictional characters and situations.
Beyond its domestic box office performance, The Assassin(s) has also attracted attention at international film festivals.
On October 21, the film was screened as the opening selection of the 37th Singapore International Film Festival, where tickets reportedly sold out.
The movie had previously been named runner-up for the International Audience Award at the 51st Toronto International Film Festival, adding to its recognition among overseas audiences.
However, the film's release has also been accompanied by criticism from some groups over its portrayal of historical events.
Earlier, protesters reportedly gathered outside cast member Yoo Hae Jin's residence and demanded an apology.
The controversy also reached the political stage when 109 lawmakers from South Korea's People Power Party sent a letter requesting that the Singapore International Film Festival cancel the film's opening screening.
The festival rejected the request and maintained its decision to show the movie.
In its response, the festival acknowledged the discussions surrounding the film but emphasized its respect for the filmmakers' creative freedom.
The organizers stated, "We are aware of the ongoing discussions, but we respect the filmmakers' creative vision. The film will proceed as the opening selection of the 37th Singapore International Film Festival as planned."
The festival also explained that the filmmakers had described The Assassin(s) as a fictional interpretation inspired by historical events rather than a work intended to establish historical conclusions or promote a political position.
Despite the debate, The Assassin(s) has now reached its reported financial break-even threshold while continuing to receive international attention.
With more than 3.3 million admissions in South Korea, the film has achieved a significant box office milestone one month after its release.
The Korean film The Assassin(s), directed by Heo Jin Ho, has officially passed its break-even point at the box office, marking an important financial milestone just one month after its theatrical release.
According to data released by the Korean Film Council on October 23, The Assassin(s) recorded 3,306,283 cumulative moviegoers as of October 22, surpassing its reported break-even target of 3.3 million admissions.
The achievement confirms that the film has reached the audience level estimated to cover its production and distribution costs, despite the controversy surrounding its historical subject.
Released in South Korea on September 23, The Assassin(s) reached the milestone approximately one month after opening in theaters.
The film explores questions surrounding the August 15, 1974 assassination of South Korea's first lady, combining historical events with fictional characters and situations.
Beyond its domestic box office performance, The Assassin(s) has also attracted attention at international film festivals.
On October 21, the film was screened as the opening selection of the 37th Singapore International Film Festival, where tickets reportedly sold out.
The movie had previously been named runner-up for the International Audience Award at the 51st Toronto International Film Festival, adding to its recognition among overseas audiences.
However, the film's release has also been accompanied by criticism from some groups over its portrayal of historical events.
Earlier, protesters reportedly gathered outside cast member Yoo Hae Jin's residence and demanded an apology.
The controversy also reached the political stage when 109 lawmakers from South Korea's People Power Party sent a letter requesting that the Singapore International Film Festival cancel the film's opening screening.
The festival rejected the request and maintained its decision to show the movie.
In its response, the festival acknowledged the discussions surrounding the film but emphasized its respect for the filmmakers' creative freedom.
The organizers stated, "We are aware of the ongoing discussions, but we respect the filmmakers' creative vision. The film will proceed as the opening selection of the 37th Singapore International Film Festival as planned."
The festival also explained that the filmmakers had described The Assassin(s) as a fictional interpretation inspired by historical events rather than a work intended to establish historical conclusions or promote a political position.
Despite the debate, The Assassin(s) has now reached its reported financial break-even threshold while continuing to receive international attention.
With more than 3.3 million admissions in South Korea, the film has achieved a significant box office milestone one month after its release.
